The dating goddess


25-Nov-2018 09:16

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The multiple Cupids frolicking in art are the decorative manifestation of these proliferating loves and desires.During the English Renaissance, Christopher Marlowe wrote of "ten thousand Cupids"; in Ben Jonson's wedding masque Hymenaei, "a thousand several-coloured loves ... Cupid is winged, allegedly, because lovers are flighty and likely to change their minds, and boyish because love is irrational.Venus laughs, and points out the poetic justice: he too is small, and yet delivers the sting of love.The story was first told about Eros in the Idylls of Theocritus (3rd century BC). The untiring deceiver concocted another battle-plan: he lurked beneath the carnations and roses and when a maiden came to pick them, he flew out as a bee and stung her.Cicero, however, says that there were three Cupids, as well as three Venuses: the first Cupid was the son of Mercury and Diana, the second of Mercury and the second Venus, and the third of Mars and the third Venus.This last Cupid was the equivalent of Anteros, "Counter-Love," one of the Erotes, the gods who embody aspects of love.Trapped by Apollo's unwanted advances, Daphne prays to her father, the river god Peneus, who turns her into a laurel, the tree sacred to Apollo.It is the first of several unsuccessful or tragic love affairs for Apollo.

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In art, Cupid often appears in multiples as the Amores, or in the later terminology of art history, the equivalent of the Greek erotes.In myths, Cupid is a minor character who serves mostly to set the plot in motion.